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Look what we Ffffound!

By the Hop Shop – Bullfrog & Baum’s in-house design studio

We burn a lot of creative calories at the Hop Shop at Bullfrog & Baum and we are often hungry for inspiration.  We need to be artistic and fresh on a daily basis while working with clients and publicists who want something unique and beautiful on demand, even sometimes before our morning coffees.  We have stumbled across some great resources that help to keep us inspired and feed our creativity.

While living in the greatest city in the world provides a great deal of our daily inspiration (from subway ads to museums; graffiti to gallery pieces; architecture to fashion), we sometimes need instant inspiration to remind us of the vast possibilities graphic design has to offer.  Here are a handfull of our favorite websites and samples of some of the work you can find there:

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Ffffound.com is a website that allows its users to share and bookmark creative images.  While you have to be invited to actually post on the site, anyone can browse their eclectic collection of designs.  Images are uploaded constantly so there is always something new to see.

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Colourlovers.com is a color and design community site that showcases color trends, color news and provides an exchange of palettes and patterns for designers.

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Beastpieces.com is one of our favorite sites because we LOVE letterpress.  It’s basically a design and letterpress blog by a Minneapolis-based printing company that features cutting-edge letterpress work from creative agencies and individuals around the country.

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Abduzeedo.com is Brazilian designer Fabio Sassa’s blog, whose mission is to archive his ideas and work and to share daily inspirations, experiments and news.  He also features tutorials and free font downloads every Friday. 

What we’re:

Reading:          I Was Told There’d Be Cake by Sloane Crosley

Listening to:    Wilco the Album

Watching:       True Blood

Eating:            Packed lunches this week

 

Liquid Courage

by Amanda Hathaway

 

“I’d rather have a bottle in front of me than a frontal lobotomy.” (anon.)

 

bartender_kit_body.jpgCocktails have never frightened me. I generally consider them my friends and embrace them warmly when they cross my path – even when it’s a cocktail that’s at first a stranger to me. After a couple sips, we’re fast friends – a few more sips and we might even start singing sea shanties together. In that same group of friends: cocktail ingredients – the pretty bottles, many with cool stories about their origins (which often involve monks, oddly enough) and exotic names. Since reaching LDA (that’s industry-speak for “over 21”), these friends have been there for me in good times and bad. Trusted, reliable, comforting and never scary…

 

And then I met the Liquid Chef.

 

This past weekend, I was invited to his secret lab with a select group of industry peeps to learn from the master. For those who don’t know the Liquid Chef, his real name is Junior Merino and he’s one of the foremost educators and entrepreneurs in the booze biz. Hired by major liquor companies to create signature cocktails that will showcase how a spirit is best used and thereby support its marketing efforts, Junior is also the go-to cocktail consultant for bars and restaurants all over the world – from lounges at Walt Disney World in Florida, to hotels in Japan, to cruise lines traversing the oceans. In all likelihood, you’ve had one of Junior’s cocktails and didn’t even know it.  You just knew it was damn good.

 

At 11am on an oppressively hot August Sunday, I found myself in a windowless room in the Bronx surrounded, floor-to-ceiling and wall-to-wall, by every spirit brand imaginable. If it weren’t for the giant AC unit trying to make a dent in the escalating temperature, spontaneous combustion would have been a very real risk. Organized by category (and quite possibly the Dewey decimal system), Junior’s lab had everything from the not-yet-released Pimm’s No. 3 Cup, to Scopion Mezcal (complete with scorpion), to Peruvian bitters, to vodka made from maple syrup, to all kinds of other drinkables and some not-so-drinkables.

 

I was there to make cocktails and all of a sudden, my trusted friends were not so trusted. I suddenly discovered how little I knew about my old friends – and over the next eight hours, all I learned was how much I had to learn.

 

To add to my anxiety, my fellow students were primarily bartenders. They already knew which side of the Boston shaker to point towards yourself to avoid liquid mayhem. They knew the difference between a Manhattan and a Bronx; I was impressed I had found my way to the Bronx! They knew how to affect the balance of a cocktail; I only knew the way a cocktail affected my balance.

 

As Junior’s lab sessions were funded by the brands he worked with, the day was punctuated by guided tastings in the vodka, gin, cachaça, tequila and mezcal categories. That’s right: FIVE categories. Six tastings in each – and we had to taste them all twice. After each tasting, we’d spend the next half-hour mixing two cocktails each with the featured spirit. The only rules: Use the sponsor brands. And then we had to taste each other’s creations. Six students, one teacher… Do the math, people: 60 straight spirit tastes; 70 cocktail tastes. In eight hours. By the eighth hour, the group was giggling at the very sight of a muddler.

 

My first attempt involved Russian Standard vodka, muddled peach, sour cherries, Combier and Domaine de Canton liqueurs. It worked. More or less. In the gin category (thanks to G’Vine), I went savory with cucumber, lemon juice and a garlicky herb I can’t name - would have been better as a salad. By the time I reached the tequila category, I had ventured into the weird: muddled white corn, blanco Siembra Azul, a splash of this… a dash of that (this was now 4pm – I don’t remember all the details). Believe it or not, it was quite good. Or perhaps my fellow students just took pity on me and smiled reassuringly. Junior encouraged everyone – every effort was “good” but only some warranted further interest and inquiry. He, meanwhile, wowed us with his molecular creations and other delicious treats (margarita marshmallows, anyone?).

 

I’ve always admired bartenders, but after a day in Junior’s lab, my admiration has evolved into awe. They’re not just artists, they’re scientists. In fact, mixologists and scientists share origins with the 19th century Russian chemist Dmitri Mendeleev who not only created the Periodic Table, but more importantly determined that vodka (and thereby all other spirits) should be distilled to 40% alcohol by volume. Since I was never a scientifically gifted child, I’m starting to question the foundation of my friendship with cocktails. I clearly need to spend more time getting to know them.

 

What I’m:

 

Reading:        Bleak House, Charles Dickens

Listening to:   21st Century Breakdown, Green Day

Eating:          Surryano Ham from Surry Farms

Drinking:        Water

THE FINEST KITCHEN TOOLS ARE ESSENTIAL TO SURVIVING HELL’S KITCHEN
ZWILLING J.A. HENCKELS and DEMEYERE Selected as the Official Cutlery and Cookware of Seasons Six and Seven of Hit FOX Series HAWTHORNE, NY (August 17, 2009) – Any chef will tell you how tough it can be to survive just one night of service in a professional restaurant kitchen. Blazing-hot ovens, screaming expediters, boiling pots and requests for things “on the fly” are enough to make even the strongest crumble. It takes an excellent chef with superior culinary tools to survive. This is why FOX’s hit culinary reality series Hell’s Kitchen sought to provide its contestants with the finest culinary tools possible: cutlery from ZWILLING J.A. HENCKELS and stainless steel cookware from DEMEYERE. Chefs are passionate about the knives they use, and typically travel with their own set to ensure flawless performance. On Seasons Six and Seven of Hell’s Kitchen, the playing field was enhanced by giving each contestant a set of premium TWIN Cuisine cutlery from ZWILLING J.A. HENCKELS, which boasts full tangs and blades forged from the 278-year-old company’s Special Formula Steel. The DEMEYERE cookware used in all challenges will allow the contestants to take advantage of state-of-the-art engineering as applied to the cooking process. The famed Belgian brand is renowned for combining more than a century of experience with the most innovative technologies. For instance, each piece of 7-Ply DEMEYERE cookware is custom engineered to perform its intended task with ultimate efficiency. Stock pots are optimized for boiling, while sauté pans are made to sear, caramelize and fry with perfection. “The contestants on Hell’s Kitchen aspire to be the best,” said Gordon Ramsay, celebrity chef and host of Hell’s Kitchen. “It is important that they use the same tools that the world’s best chefs have relied on for years.” Season Six of Hell’s Kitchen airs Tuesdays (8:00-9:00 PM ET/PT) on FOX. ZWILLING J.A. HENCKELS products and DEMEYERE cookware are sold throughout the world wherever the best products for the kitchen and home are available. For more information on ZWILLING J.A. HENCKELS, visit the company website at www.jahenckels.com. More information on Demeyere cookware can be found at www.demeyerecookware.com. # # #
Julie & Julia

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 by Katie Haines-Stiles

I don’t think it would surprise the people who know me best to read the following true confession: Sometimes (read: probably about 10 times a day) I tend to exaggerate. It’s not to say I lie or embellish facts, it’s more that I’m no stranger to the occasional overly dramatic sigh or statement.   Of course, I’m the first person to make fun of this characteristic of my personality but, let’s be honest, it’s kind of fun.

 

I’m not sure if my flair for the dramatic is what also finds me relating moments of my life to shows on TV or characters in movies and books, but my friends and family have grown to accept that given five minutes, I can relate any fictional situation (the more absurd and ridiculous the better) to some aspect of my life. So it’s no surprise that upon seeing Julie & Julia I at once felt as though I were a 6”1’ American woman living in France working to produce a cookbook against all odds AND a 30-year-old government employee living in an apartment in Queens murdering lobsters. (Perhaps it’s because I currently find myself spending my days writing and talking about food, and my nights, well, eating the food I spent my day writing and talking about.)

 

For those of you who haven’t seen the movie/read the book or the blog, I won’t go into details about the plot, but I will say it’s a great movie you should all see. You leave feeling accomplished and reinvigorated—and I promise it’s not just me who feels that way.  Normally, the cinema-graphically induced high that is always a byproduct of going to the movies/watching TV/reading a book/being a functional member of society today runs its course by the end of the evening and would be fully replaced with a series of new dramatic proclamations by the next morning.  

 

Recently, however, I find myself limited in my exaggeration abilities, which for me, is a lot like finding myself struggling to breathe. (Ok, so maybe I can still exaggerate a little.) I’ve done the requisite soul searching that happens when one finds themselves missing a very specific and enjoyable aspect of their life, and after watching Julie & Julia I think I’ve come to a pretty accurate conclusion—it’s because of food. In the movie, Julie and Julia find their individual power in cooking and find an inner balance, and lately I’ve experienced the same Kitchen Nirvana.  The movie absolutely had it right—cooking is a calming activity and the kitchen is an epicenter of serenity, and it’s been keeping my dramatic tendencies in check….at least for now.

 

What I’m:

 

Reading: Slaughterhouse Five

Listening To: David Byrne

Watching: DVR-ed episodes of 30 Rock

Eating: Corn on the cob

The Argentine Barbecue

By Gabriella Garcia

 

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Throughout the world, strong traditions that bind family together usually revolve around food.  The Irish boil their dinner with an assortment of roots, cabbage and corned beef culminating in a feast accented with salt and vinegar.  Jews dole out ladles of comforting matzoh balls submerged in chicken stock with vegetables for special occasions, while Italians layer sheets of pasta with homemade tomato sauce, cheeses and ground beef to gather around the table.  Well, Argentine’s are no different except our meals revolve around beef… and lots of it.

El Asado Argentino, or in plain English, the Argentine Barbecue is taken extremely seriously and is a defining factor of its people, passed down generation to generation in the womb along with a love of soccer and an affinity for a robust Malbec.  Any excuse for a celebration, my father breaks out about 150 chorizo (spicy sausage), molleja (sweet breads) and vacio (flank steak) then lights up the coals, and serves a spread that could feed a small army.

The most recent family event was in honor of my sister Erika’s pregnancy, a first in our small Garcia clan.  The Baby-cue was in full swing by 4 o’clock, and the air was thick with anticipation for my dad’s mouthwatering fare.  Plates of seared provoletta (a grilled brick of provolone cheese, charred on the outside with oozy deliciousness on the inside) dot the table for friends and family to share over lively and animated conversation.  This appetizer is enough to appease the masses before the beef is finished cooking at varied temperatures from medium rare to well done for the less acclimated.    Large bowls of lentil salads, pasta medleys and other assortments of herbivore-friendly food are ceremoniously placed on the table to accent the main dish of the evening sizzling on the grill. 

In the end, a great time was had by all and although the energy of my family is the fun part of the event, it is ultimately the food that ties the parties together.  No matter what your culture or tradition, there is nothing like the cuisine that you grew up with to bring family together.

What I’m:

Reading: Dress Your Family in Corduroy and Denim by David Sedaris

Watching:  So you think you can dance

Eating:  Argentine Barbecue

Listening to: Guster

 

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